Three Concepts for Crossing the Nature-Artifice Divide: Technology, Milieu, and Machine
DOI:
https://doi.org/10.22439/fs.v0i17.4250Keywords:
Nature, Artifice, Technology, Milieu, MachineAbstract
The distinction between nature and artifice has been definitive for Western conceptions of the role of humans within their natural environment. But in order to distinguish between nature and artifice, the human must be separated from nature. This separation, in turn, facilitates a classification of knowledge in general, typically cast in terms of a hierarchy of sciences that ascends from the natural sciences to the social (or human) sciences. However, this hierarchy considers nature as a substantial foundation upon which artifice operates and to which it responds. Here I examine three inter-related concepts that, by focusing on events rather than substances, operate beyond the nature–artifice distinction and thereby resist the hierarchical classification of the sciences: Foucault’s concept of technology, the concept of milieu as it crosses over historically from physics to biology and anthropology, and Deleuze and Guattari’s reconfiguration of the concept of milieu in terms of their concept of machine.Downloads
Published
2014-04-30
How to Cite
Altamirano, M. (2014). Three Concepts for Crossing the Nature-Artifice Divide: Technology, Milieu, and Machine. Foucault Studies, (17), 11–35. https://doi.org/10.22439/fs.v0i17.4250
Issue
Section
Special Issue on Foucault and Deleuze
License
Authors retain copyright to their work, but assign the right of the first publication to Foucault Studies. The work is subject to a CC BY-NC-ND 4.0 license, but despite these restrictions, authors can take for granted that Foucault Studies will permit articles published in Foucault Studies to be translated or reprinted in another format such as a book providing a full reference is made to Foucault Studies as the original place of publication.