Digital divisions and the changing cultures of the music industries (or, the ironies of the artefact and invisibility)

Authors

  • Keith Negus Goldsmiths, University of London

DOI:

https://doi.org/10.22439/jba.v4i1.4793

Author Biography

Keith Negus, Goldsmiths, University of London

Keith Negus is Professor of Musicology at Goldsmiths, University of London. His books include Producing Pop (1992), Popular Music in Theory (1996), Music Genres and Corporate Cultures (1999) and Bob Dylan (2008). He has published articles on various topics including creativity, musicians on television, globalization, narrative and the popular song, music genres, and cultural intermediaries. He is currently researching ‘Digitisation and the Politics of Copying in Popular Music Culture’ with John Street and Adam Behr. He is also working with Pete Astor, researching and writing about songwriting, as well as creating songs as The Fairlight Myth. He may be reached at K.Negus@gold.ac.uk.

Downloads

Published

2015-05-22

Issue

Vol. 4 No. 1 (2015)

Section

Essays

License

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).