“The air of impossibility has been removed”: Realist Political Drama(dy) and the Trope of Becoming President

Authors

  • Antje Dallmann Humboldt-Universität zu Berlin

DOI:

https://doi.org/10.22439/asca.v52i2.6501

Keywords:

Popular culture, Presidential drama(dy), Political tv shows, Political fiction

Abstract

Over the past ten to fifteen years, film and TV culture have offered new and more complex negotiations of presidential politics through depictions of fictional American presidents. While in the past American popular culture celebrated the president as overwhelmingly positive, larger-than-life figure, recent representations have introduced more complex characters who face, or even trigger, complicated and morally ambiguous conflicts. This article investigates how The West Wing, House of Cards and Veep, three political TV shows, make use of the emerging trope of a brokered nomination convention in order to question one-dimensional fictional representations of the American president and presidential politics.

Author Biography

Antje Dallmann, Humboldt-Universität zu Berlin

Antje Dallmann serves as associated professor (Privatdozentin) at Humboldt-Universität zu Berlin. In her second book, she discusses medical romance in nineteenth-century US-America, while her dissertation investigates modern and postmodern city novels. Her interests also include intersectional approaches to research in American politics and fictional narration and family studies.

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Published

2020-11-01

How to Cite

Dallmann, A. (2020). “The air of impossibility has been removed”: Realist Political Drama(dy) and the Trope of Becoming President. American Studies in Scandinavia, 52(2), 101–118. https://doi.org/10.22439/asca.v52i2.6501