Vol. 34 No. 1 (2002)

Published: 2002-03-01

Articles

Why is American Popular Culture so Popular? A View from Europe

Berndt Ostendorf

1-46
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Response to a Postmodernist: Or, a historians' critique of Postmodernist critiques of history

Michael C. Coleman

47-64
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Cultural Myth in Philip K. Dick's The World Jones Made

Michael J. Prince

65-83
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Social Simulation in William Gibson's Neuromancer

Ulrik Ekman

84-116
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Book Reviews

Janet Moore Lindman & Michele Lise Tarter (eds): A Centre of Wonders: The Body in Early America

Daniel Blackie

117-119
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Benjamin Filene's Romancing the Folk: Public Memory and American Roots Music

Dale Carter

119-122
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Peter C. Mancall and James H. Merrell (eds): American Encounters, Natives and Newcomers from European Contact to Indian Removal

David Harding

122-124
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Rolf Lundén's The United Stories of America: Studies in the Short Story Composite

Sandra Lee Kleppe

124-126
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Orm Øverland's Immigrant Minds, American Identities: Making the United States Home, 1870-1930

Bruce Leslie

127-130
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Luc Herman (guest editor): Approach and Avoid: Essays in 'Gravity's Rainbow'

Anne Mangen

130-136
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Michael West's Transcendental Wordplay: America's Romantic Punsters and the Search for the Language of Nature

Peter Mortensen

136-138
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Mark Turner's Cognitive Dimensions of Social Science

Anders Hougaard

138-145
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Orm Øverland (ed): Not English Only: Redefining "American" in American Studies

Theo D'haen

145-147
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