“Helt Texas, Morgan Kane!”: Notes on the Pedagogies of Finding, Documenting, and Teaching the American West in Norwegian Backyards

Authors

  • Stefan Rabitsch University of Oslo

DOI:

https://doi.org/10.22439/asca.v56i2.7382

Keywords:

American West, cultural geography, rhizomatic Wests, postwest, guerilla academic

Abstract

Applying transnational/global Wests methodologies, this article is predicated on an admittedly polemic claim: the American West can be found on many (if not all) foreign shores. This article showcases the pedagogies employed in teaching graduate-level cultural studies seminars on the American West in a Norwegian context. American studies students were tasked with locating and retrieving traces/echoes/spores of the American West in their proverbial backyards. They conducted cultural geography fieldwork with a view to generating generation-specific content in the form of short video reels. The resultant documentary archive gestures at rather clear patterns. For example, the students’ findings included but were not limited to country-specific (re)imaginings of the mythic West in different media, heterotopic spaces of performance, play, consumption and the hyperreal, instances of ‘playing Indian,’ iconographic scatterings, cowboy/Western poetics in music, and more. Ultimately, this article illustrates how that which we study from afar may be found in more local(ized) Norwegian contexts, imaginaries, and cultural practices.

Author Biography

Stefan Rabitsch, University of Oslo

Stefan Rabitsch is an Associate Professor in American Studies at the University of Oslo, Norway. His main areas of research and teaching straddle American cultural history and popular culture studies across media. Among other things, he is the author of Star Trek and the British Age of Sail (McFarland, 2019). His current book project is a cultural history of cowboy hats, which received a 6-month Fulbright Visiting Scholar Grant.

References

Campbell, Neil. Post-Westerns: Cinema, Region, West. Lincoln: University of Nebraska Press, 2013. https://doi.org/10.2307/j.ctt1ddr7x0.

Campbell, Neil. The Rhizomatic West: Repre-senting the American West in a Transnation-al, Global, Media Age. Lincoln: University of Nebraska Press, 2008. https://doi.org/10.2307/j.ctt1dgn4wh.

Campbell, Neil, Worlding the Western: Contem-porary US Western Fiction and the Global Community. Reno: University of Nevada Press, 2022.

Comer, Krista. “The Problem of the Critical in Global Wests.” In A History of Western Amer-ican Literature, edited by Susan Kollin, 205–22. New York: Cambridge University Press, 2015. https://doi.org/10.1017/CBO9781316018439.014.

Deadwood City. “Hva er Deadwood City? – Westernbyen på Kløftefoss.” Screengrab. Accessed October 1, 2024. https://www.deadwoodcity.no/hva-er-deadwood-city/.

Deloria, Philip Joseph. Playing Indian. New Ha-ven: Yale University Press, 1998. https://doi.org/10.12987/9780300153606.

Giles, Paul. “Afterword.” Occasion 10 (2016): 1–5. https://shc.stanford.edu/arcade/publications/occasion/pop-west/afterword.

Henriksen, Christina (@ChristinaHnrixn). “I Present to You: The Norwegian Minister of Finance. #culturalappropriation #notacos-tume #disrespectful #butwhy #sivjensen @NativeApprops.” Twitter, October 13, 2017. https://x.com/ChristinaHnrixn/status/918918363589627904.

Holtvedt, Alma. “Yee-Ha! Cowboy-Stilen Er Til-bake.” A-Magasinet, June 14, 2024.

Kollin, Susan, ed. Postwestern Cultures: Litera-ture, Theory, Space. Lincoln: University of Nebraska Press, 2007. https://doi.org/10.2307/j.ctt1djmdf1.

Kvasjord, Sigfrid. “‘Ville Vesten’ i Lardals Dype Skoger.” Østlands-Posten, March 2, 2011. https://www.op.no/kultur/ville-vesten-i-lardals-dype-skoger/s/1-85-5511447.

Lahti, Janne. The American West and the World: Transnational and Comparative Perspectives. New York: Routledge, 2019. https://doi.org/10.4324/9781315643212.

Loland, John Erik. “Norwegian Cowboy.” Au-gust 13, 2012. YouTube video. https://www.youtube.com/watch?v=fftjoy7Uhjs.

McMurtry, Larry. Sacagawea’s Nickname: Essays on the American West. New York: New York Review, 2001.

Mogen, David. “The Frontier Archetype and the Myth of America: Patterns That Shape the American Dream.” In The Frontier Expe-rience and the American Dream: Essays on American Literature, edited by David Mo-gen, Mark Busby, and Paul Bryant, 18–30. College Station: Texas A&M University Press, 1989.

Nyerges, Aaron, and Golnar Nabizadeh. “The Transmigration of West: Toward a Com-parative Regionalism.” Occasion 10 (2016): 1–9.

Rabitsch, Stefan. “Tex Willer.” Photograph by the author, October 2024.

Reese, Ashley. “What Everyone Is Getting Wrong About the ‘Yee Haw Agenda,’ Ac-cording to Bri Malandro, the Woman Who Coined the Term.” Jezebel, March 27, 2019. https://jezebel.com/what-everyone-is-getting-wrong-about-the-yee-haw-agenda-1833558033.

Studentsamskipnaden SiO. “Cowboyfest på Kjellern.” Event poster. Accessed October 1, 2024.

https://www.sio.no/eventkalender/NMVVu4TKfjyw5JZkqTNK9h.

Wrobel, David. “Prologue: Exceptionalism, Globalism, and Transnationalism—The West, America, and the World across the Centuries.” In The Popular Frontier: Buffalo Bill’s Wild West and Ttransnational Mass Cul-ture, edited by Frank Christianson, 3–12. Norman: University of Oklahoma Press, 2017.

Downloads

Published

2024-12-12

How to Cite

Rabitsch, S. (2024). “Helt Texas, Morgan Kane!”: Notes on the Pedagogies of Finding, Documenting, and Teaching the American West in Norwegian Backyards. American Studies in Scandinavia, 56(2). https://doi.org/10.22439/asca.v56i2.7382